Nullified by 60
My Lover The Matador
Paintings and Others
A 6 works series divided into two: paintings of Any Resemblance Is Purely Coincidental, and paintings of Scre
Scream With a View, 2026
Six paintings divided into two: Any Resemblance is Purely Coincidental, and Scream With a View.
The drawings on the semi-transparent paper evinced an “extreme case” of a spaceless drawing that enters and accepts upon itself the space in which it is placed. On the verge of collapse, falling apart, what if my works were to orient themselves towards non-existence, if in the moment of the art doer-work-viewer triangle, the painting cancels itself, divests itself, negates itself, collapses itself, and only the viewer remains? Could a space be negated to zero? Will then a perspective be hyper-disastrous? What if then, I thought, my paintings were paintings of—I, the painting, cancel myself, I am missing, and therefore only you remain. I am coming to you, I am approaching you, I am falling towards you, and therefore you are almost inside me.
List of works:
Scream With a View Oil, drawing, Stainless steel cone, maskingtape, vellum paper and stretcher. 100X79.5 cm, 2025
Scream With a View Oil, drawing, maskingtape and vellum paper. 214.8X238.5 cm, 2025.
Scream With a View Oil, drawing, maskingtape, 213.7X218.4 cm, 2025.
Any Resemblance is Purely Coincidental Oil, digital photograph printed with inkjet and vellum paper. 230.5X296.9 cm, 2025.
Any Resemblance Is Purely Coincidental Oil, inkjet-printed digital photograph, maskingtape, Stainless steel cone, cardboard box, vellum paper, stretcher. 75X100 cm, 2025.
Six paintings divided into two: Any Resemblance is Purely Coincidental, and Scream With a View.
The drawings on the semi-transparent paper evinced an “extreme case” of a spaceless drawing that enters and accepts upon itself the space in which it is placed. On the verge of collapse, falling apart, what if my works were to orient themselves towards non-existence, if in the moment of the art doer-work-viewer triangle, the painting cancels itself, divests itself, negates itself, collapses itself, and only the viewer remains? Could a space be negated to zero? Will then a perspective be hyper-disastrous? What if then, I thought, my paintings were paintings of—I, the painting, cancel myself, I am missing, and therefore only you remain. I am coming to you, I am approaching you, I am falling towards you, and therefore you are almost inside me.
List of works:
Scream With a View Oil, drawing, Stainless steel cone, maskingtape, vellum paper and stretcher. 100X79.5 cm, 2025
Scream With a View Oil, drawing, maskingtape and vellum paper. 214.8X238.5 cm, 2025.
Scream With a View Oil, drawing, maskingtape, 213.7X218.4 cm, 2025.
Any Resemblance is Purely Coincidental Oil, digital photograph printed with inkjet and vellum paper. 230.5X296.9 cm, 2025.
Any Resemblance Is Purely Coincidental Oil, inkjet-printed digital photograph, maskingtape, Stainless steel cone, cardboard box, vellum paper, stretcher. 75X100 cm, 2025.