Scream With a View
Exquisite Corpses
Where Interests Lie
7 Minutes Show
Drawings
About
Scream With a View, 2025
A 6 works series divided into two: paintings of Any Resemblance Is Purely Coincidental, and paintings of Scream With a View
The works on the semi-transparent paper evinced an “extreme case” of a spaceless drawing that enters and accepts upon itself the space in which it is placed. How could I create claustrophobia for these things within those spaces - splitted, ramified, catastrophic, miserable landscapes. How would things in the paintings be crowded together, sit cramped and suffocated within their own spaces, bathed either in an opaque or airy layer of paint above them or beneath them, or just from the very use of the vellum paper – clogged and limited in their
vision. The works were to become a literal translation of teetering, on the verge of collapse.
1) Any Resemblance is Purely Coincisental. Oil, digital photograph printed with inkjet and vellum paper. Three layers, photograph between front and second layer. 230.5X296.9 cm, 2025.
2) Scream With a View. Oil, drawing, Stainless steel cone, vellum paper and stretcher. 100X79.5 cm, 2025.
3) Scream With a View. Oil, drawing and vellum paper. Drawing attached to the wall, emerging from behind the vellum paper. 213.7X218.4 cm, 2025.
4) Any Resemblance Is Purely Coincidental. Oil, digital photograph printed with inkjet, Stainless steel cone, cardboard box, vellum paper, stretcher. Photograph put inside cardboard box, placed behind vellum paper. 75X100 cm, 2025.
4) Any Resemblance Is Purely Coincidental. Oil, digital photograph printed with inkjet, Stainless steel cone, cardboard box, vellum paper, stretcher. Photograph put inside cardboard box, placed behind vellum paper. 75X100 cm, 2025.